Croton Point
Oct 5th '17
Jun 26th '17
Jon Naar
From The Magazine
Jon Naar started taking “weekend photographs” in the 1950s. Now, at the age of 97, his legendary eye has graced subjects ranging from Knoll furniture to New York graffiti to Andy Warhol.
Interview by Colin Tunstall — Portrait by Andrew Wilkinson
Oct 5th '17
Apr 5th '17
zak bush: I’m curious to talk to you guys about surfing on the East Coast back in the day. How did you first get started? tom dugan: Surfing came into my life through surf magazines. I moved to Long Island from Ohio in the summer of 1965 and, for some reason, I had already been…
Mar 27th '17
colin tunstall: I saw in the forward of My Freedamn! that a Robert Frank exhibition in April of 1994 was a catalyst to start this process of yours. Can you tell me about that? rin tanaka: Robert Frank is very classic, right? Every young photographer has to study his photos, so I did the same…
Dec 6th '17
As America’s first planned industrial city, Paterson, New Jersey flourished in the 1890s producing textiles, firearms, and railroad locomotives through a web of mills and factories. It was here that the first Colt revolver was built, the first submarine was tested, and massive amounts of silk were made. Paterson’s latest product is a bike crew…
Apr 2nd '18
In 1951, Sukejiro Kaihara established Kaihara Textile Mills Ltd. with an investment of 1,800,000 yen (the equivalent of roughly $5,000 USD back then) and 34 looms. Twenty years later, the company became the first in Japan to offer rope-dyeing in-house—a process that’s key to creating the dramatic fading effects of well-worn, raw denim. Today, Kaihara…
Apr 9th '19
May 11th '17
thomas bettridge: What’s your process like when you’re taking these Polaroids? Do you just wander around with a camera? lucien smith: When I originally started them—when I was doing them in New York—I was always going on these bike rides in the early morning, or late at night, while I was walking home. At first…
Jun 1st '17
May 1st '17
thom bettridge: Your street photography has such a candid feel. Tell me a little bit about your process. daniel arnold: From my point of view, even calling it a process seems like over-selling it. The photography part of it has almost been secondary to this habit I have of aimlessly wandering around. For as long…
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